Tag Archives: insights

TOP 10 – Projective techniques

15 Dec

Projective techniques are useful on a number of levels, and are useful for providing something ‘different’ to moderated discussion and for delving deeper into the sub-conscious. Projective techniques are also useful when exploring subject areas that consumers might not necessarily find it easy to elucidate an opinion (e.g. brand perceptions). The key to success from the moderator perspective is to remember why the projective technique is being used! Knowing that a brand is similar in personality to Simon Cowell is one thing, but understanding the relevance of those personally traits and how they come to light is where insights can be formed.

Here are our thoughts on the Top 10 projective techniques (and how best to use them!).

 10 – Bring an item…
This doubles up as both a pre-task as well as a projective technique. At the point of recruitment, respondents are asked to bring to the group an item that they associate with, or makes them think of the brand in question. They are given creative licence! Ci Research used this technique recently when researching a range of kids multivitamins. Not only did it act as a great warm up to the group – setting the precedent for a creative session – but it also revealed a whole host of emotional attachments to the brand.

9 – Planets (and guided fantasy)
The ‘Planets’ projective technique involves quiet-time on the part of the respondents. They are asked to close their eyes whilst the moderator guides them on an imaginary journey through space. From leaving earth in their space capsule, all the way to returning again at the end of the expedition, they are asked to think deeply about the experiences and emotions associated with a visit to ‘Planet Brand X’. For example, What does it look like?, What are the people like?, What are the buildings like?, How do you feel?, What do you see?, What do you hear?, What do you smell?, Where do you go?, Who do you talk to? What do they say?, How do you feel about spending 6 months here?, How do you feel when you’re asked to  leave?. During the course of this ‘guided fantasy’ they can visit other brand/planets and compare and contrast the environment, how welcoming it feels, how much they enjoyed the visit, etc. At the end of the projective the group make their notes and debrief to the moderator / each other. We find this delivers much deeper insight and more colourful descriptions of the customer relationship and/or experience.

8 – Psycho-drawings
Psycho-drawings are most commonly pre-prepared sheets of paper, with stick men and women and an empty speech or thought bubble. They are useful for capturing individual views on subjects, and particularly the ‘how would this make you feel?’ type of customer insight. This is a handy technique for respondents that might be initially reticent about verbalising their own emotions in front of a group of strangers, as it also allows us to use a third-party perspective e.g. “this is how I feel most customers would react to this service experience”.

7 – The Treemen
The Treemen is another great example of using stimulus material to encourage respondents to disclose their feelings and emotions. Respondents can be shown pre-prepared drawings showing various characters living and interacting within a tree environment. Respondents can select the characters within the drawing that best represent how they (or someone else) might have been feeling in a given scenario. The insights are generated not by noting the individual tree character selected, but by questioning the respondent to understand specifically why that character was selected over others.

6 – Courtroom drama
The ‘courtroom drama’ projective technique is often used by Ci Research when using focus groups to conduct concept testing and creative development projects. Most often used towards the end of groups, respondents break into teams and are asked to use the preceding discussion and their own opinions to form a ‘case for’ or ‘case against’ the client preceding with one or more concepts or service improvements. Various interesting twists can be added. For example, taking respondents and asking them to ‘defend the indefensible’ by arguing the case for concepts that they were initially critical of. Teams can be constructed to balance the views of respondents that are more opinionated and vociferous in their views.

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TOP 10: INSIGHTS FROM THE “3 FOR FREE”

8 Dec

3 for Three

During the course of the last couple of years, Ci Research has conducted “3 for free” surveys within key sectors.

For this week’s ‘top 10’s’ we wanted to share some of the more interesting insights.

For more information on these surveys, or to request a copy of the results, please contact theteam@ci-research.com

10. Opportunity exists for insurers to ‘own’ the young drivers market. One in three (34%) of the 17-26 year olds surveyed said they have a car insurance policy. Endsleigh was perceived to do the most to attract young people (particularly students) to consider taking insurance with them. However, over half were not aware of any insurers who appear to be more interested in providing cover specifically for them. (March 2009)

9. Young people are quite debt averse (71% feel very or fairly uncomfortable about personal debt) – especially the youngest respondents in the sample (aged 16-17). Almost two-thirds (62%) of those aged 18-26 said they do not currently have a credit card. (March 2009)

8. Unsurprisingly, banks are perceived in a more negative light compared with before the financial crisis. Significantly more said their views of bank and financial services providers had changed for the worse in light of recent press (42%) than said changed for the better (10%). RBS is most often mention in a negative light (by 34%), although 20% also said ‘all / most banks’ were at fault. (March 2009)

7. Planning for Christmas starts early. Just under half (46%) of 17-26 year olds had started to think about Christmas when they completed our survey in September 2009, with a further 36% indicating that although they had started to think about Christmas they had yet to start planning or purchasing. When these respondents were asked when they would start their shopping, the vast majority (88%) anticipated a November/December start date, thereby leaving their Christmas shopping to much later in the year. (October 2009)

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Top 10 Tips… for using film in research

1 Dec

Richard Walker(In a previous life) Director Richard Walker was MD of a film business specialising in consumer insight-led productions, and he has developed these propositions further whilst at Ci Research to improve the effectiveness of both insight capture and dissemination for clients. Below are his latest musings on how to most effectively use film and video within market research and customer insights.

10. Think channel not method

Film and video should at least be considered for every single research project commissioned. “Easy for you to say” I hear you all cry. My retort is thus: Every year, millions of pounds of research budget, if not entirely wasted, is at least partially frittered away because consumer insights do not compete effectively with other ‘noise’ within the client’s organisation. Fantastic research is useless unless it’s properly communicated and shared, and this does not mean simply circulating PowerPoint attachments alongside Excel data tables!

Researchers should start by simply thinking of film and video as an alternative, higher impact, more engaging channel with which to share consumer knowledge. Film is much more than capturing behaviour or glorified vox pops – it is potentially a stand-alone communications solution.

9. High quality production is worth the investment

“Easy for you to say” I hear you all cry. My retort is thus: It is the new media age and expectations of video outputs have changed. If an internal client sees shaky camcorder footage and poor quality shot framing, or hears distorted audio, then this potentially detracts from the message and jeopardises the communication.

Unless specified otherwise, we suggest aiming for broadcast quality outputs that you should be proud to share –not just for the content, but for the style!

8. But don’t let the medium overtake the message

A client in the telecoms sector once gave me this important piece of advice whilst I was having a particularly creative moment. This excellent advice sits well with another piece of advice absorbed along the way – that an audience will only memorise around 5 facts or key actions from any given presentation. In planning a film based output ensure everything is centred around communicating the message (sounds obvious, but worth re-iterating). Which 5 messages do you want people to remember and what do you want them to do as a result?

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